Jun 07 2014 : The Economic Times (Mumbai)
MANIFESTO FOR DESIGN
Makarand Kulkarni Design Director at Ether Design, Bangalore
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If design community is included at the highest level of decision-making, we can usher in a revolutionary way of making things happen in this country. We must learn to protect our intellectual property as fiercely as our immovable property
In his September 2013, address at platinum jubilee celebrations of the International Advertising Association, Narendra Modi called for establishing Brand India on the world stage. He gave many ideas and examples on where we could start on this. Amongst the things he mentioned was learning from how Mahatma Gandhi influenced hundreds of millions of Indians through unique storytelling using his symbols. Each object that Gandhiji carried and used communicated big ideas with effectiveness that is so difficult to create even in today's connected world. Gandhiji's life was a very well documented experiment in itself as it happened, a reality show that inspired unprecedented collective action in the last century.Modi went on lamenting the lack of `packaging and presentation' of many inspiring ideas that India stands for, ideas that could not only impress but inspire the world to solve its ongoing problems. He also underscored the importance of soft power in international relations. In many ways, this speech is a call to action for designers too.
Design, indeed, is the tool that actually manufactures all perceived reality as consumed by human senses and may the force be with the designers.
We are optimistic that a big push will be provided to large-scale infrastructure projects in a responsible way. The pros and cons of these projects should and must be debated not only by the management thinkers, bureaucrats and urban planners but also by design thinkers, furniture designers, graphic and exhibition designers. We designers have immense empathy for people and we can demonstrate our ability to create functional and experientially rich environments that also communicate our heritage with local sensibilities and global appeal. Together, we can definitely create a uniquely Indian urban experience that can inspire the world.
Let us all play an important role in primary and secondary education. We can bring in the much-needed difference by showing a way to use science and technology with a sense of history and culture. The much talked about belief in our values and our traditions needs to be inculcated at a young age. Why not look at modules that blend cultural anthropology and modern technology to foster problem-solving skills?
Working together as a team at the school level itself can work wonders when it comes to solving complex civic problems.
Designers can `package and present' a unique story for things that have the inherent symbolic value, be it a book on Gandhiji or Ayurveda and Yoga. We are not talking about the last leg aesthetic intervention after the story is writ ten but an upstream thinking on what and how it should be done. We should be on the policy committees and decision-making bod ies that will promote international trade, l s promote tourism, build museums and write guidelines for doing these. t The world has been talking about an eco logically sustainable way of life. Designers i have been, in their own capacity, effecting t this change at product level and packaging. t , We need clear policy on how manufacturers make these things and the role of designers as product architects. We do not authorise unqualified medical intervention, why do we allow unqualified development of consumer products?
Last and most important aspect is of intellectual property. If we do not develop this aspect of our story, we cannot reach out to the world with it. We must learn to protect our intellectual property as fiercely as our immovable property. After all, our culture, tradition and heritage are the most important real estate that we have.
Here's hoping we get to do what we got to do.
Design, indeed, is the tool that actually manufactures all perceived reality as consumed by human senses and may the force be with the designers.
We are optimistic that a big push will be provided to large-scale infrastructure projects in a responsible way. The pros and cons of these projects should and must be debated not only by the management thinkers, bureaucrats and urban planners but also by design thinkers, furniture designers, graphic and exhibition designers. We designers have immense empathy for people and we can demonstrate our ability to create functional and experientially rich environments that also communicate our heritage with local sensibilities and global appeal. Together, we can definitely create a uniquely Indian urban experience that can inspire the world.
Let us all play an important role in primary and secondary education. We can bring in the much-needed difference by showing a way to use science and technology with a sense of history and culture. The much talked about belief in our values and our traditions needs to be inculcated at a young age. Why not look at modules that blend cultural anthropology and modern technology to foster problem-solving skills?
Working together as a team at the school level itself can work wonders when it comes to solving complex civic problems.
Designers can `package and present' a unique story for things that have the inherent symbolic value, be it a book on Gandhiji or Ayurveda and Yoga. We are not talking about the last leg aesthetic intervention after the story is writ ten but an upstream thinking on what and how it should be done. We should be on the policy committees and decision-making bod ies that will promote international trade, l s promote tourism, build museums and write guidelines for doing these. t The world has been talking about an eco logically sustainable way of life. Designers i have been, in their own capacity, effecting t this change at product level and packaging. t , We need clear policy on how manufacturers make these things and the role of designers as product architects. We do not authorise unqualified medical intervention, why do we allow unqualified development of consumer products?
Last and most important aspect is of intellectual property. If we do not develop this aspect of our story, we cannot reach out to the world with it. We must learn to protect our intellectual property as fiercely as our immovable property. After all, our culture, tradition and heritage are the most important real estate that we have.
Here's hoping we get to do what we got to do.
